Hello loyal readers, I know it's been far too long since my last post. I promise to make up for it this summer by attending and reviewing as many shows as I can! Time and budget shall be my only limitations.
Anyhoo, I went to First Ave last night for the sold out CSS and Sleigh Bells show. I forgot it was all ages so my friend and I herded upstairs with the rest of the legal drinking age cattle. We got there in time to catch the end of the second opener, I believe called Neon Indian. It could have been Princeton though since I wasn't really paying attention.
CSS came on next, and totally blew me away. I already recognized a couple of their songs, but I fell in love with a few new ones. I thought the music was tight and well put together, the lyrics were straightforward, honest, and funny, and most importantly, their songs were super fun to dance to! The lead singer was an act all in her own right - she came onstage in boots, black pants, a red plaid shirt, and a black leather jacket, with a misfits-style face paint look going on. Super cool, right? Well it turned out the pants were tear-away, which were torn away to reveal jean shorts with a patterned pair of tights underneath. The jacket came off and the shirt beneath was longer than her jean shorts. Then, much to everyone's growing astonishment, she revealed not one but TWO other shirts underneath that one! She must have been sweltering in all those clothes. Plus, for the second to last song, she put on a pink flowery dress over her clothes and danced around with the zipper open and the dress falling off her arms. She even got down onto the floor with the crowd a couple times, and totally crowdsurfed. My friend called her "awesomely '90s" and I have to agree. They were absolutely amusing and kick ass. The drummer had his face painted too, and the keyboardguitarist was sporting a Sleigh Bells shirt. I love a female bassist so that was a nice touch. I honestly couldn't tell if the guitarist was a man or a woman - but s/he had kind of a fro-rat tail hair style going on, and was skinny but with toned arms. So bizarre but it totally fit! I love CSS. I can see why they're so tired of being sexy.
Then, after a prolonged break, Sleigh Bells came on stage to the opening strains of "Iron Man." Their stacks of speakers had a light show going on around them, and the fog was coming out hot and heavy from behind them. With the LOUD music (must've turned it up to 11), strobe lights, fog, heavy pot smoke, and light show, I was pissed that I didn't have any acid last night (joking of course). It would have been a whole different experience and to be frank, my senses were already close to overload with just some beer in me. To be honest, I wasn't impressed. They just danced around with backlighting for about 20 minutes and then they were done. The singer did some crowdsurfing too, which had totally already been done and seemed totally passe. CSS made it cool again when they joined SB on the stage at the very end of the show.
The lead mic needed to be higher because I couldn't understand a lot of what was being said or sung, and CSS totally should have been the headliners instead of Sleigh Bells. Those issues aside, it was a great show!
Showing posts with label live music. Show all posts
Showing posts with label live music. Show all posts
Friday, May 20, 2011
Sunday, May 23, 2010
The Idle Hands @ Sauce Soundbar
Last night I checked out the Idle Hands et al at Sauce (Lake and Lyndale for those who remain uninitiated) and, as I predicted, it was a great show. I was even able to get (and keep) my favorite spot at the end of the bar.
The first band was Usonia, who I had never heard of, but they were actually really good! My friend and I decided they were the best opener we've ever heard there (G Biz, anyone?) or, for that matter, anywhere else. Definitely above average, smart, and well put together music and lyrics - some of their songs were really catchy with great riffs and beats. Their sound was vaguely retro, with keyboards and clapping (which I loved of course), and the band members must all be very talented since they traded instruments throughout the set. According to Ross, the lead singer, their name "Usonia" is the term for Frank Lloyd Wright's vision of post-WWII America. I told you these guys were smart. Bottom line is: go see these guys play. Hopefully they'll have a lot of shows in the near future.
Next up was Arms Akimbo, who I saw open for the Alarmists at 7th St Entry, and as expected, they had a great set. I won't repeat myself too much, but if you like a solid performance with a hint of reggae/mod/doo-wop/early Beatles, go see these guys play. You won't regret it. If you do, don't blame me.
Next was Two Harbors. All I can say is "adequate" and "generic." Melody and rhythm which were pleasant and worked but unexciting and uninspiring. My friend dubbed them "Puddle of Bieber," which I think is actually a little harsh, but too funny not to include. I wouldn't avoid a show if they were on the list - unlike that monstrosity referred to as "Red Pens" - but I wouldn't seek them out either.
Finally, the Idle Hands were up last. As always, it was a 20 orgasm, A+++ show. I couldn't help but notice a couple changes in the band roster since the last time I saw them (Mears Park?) - different drummer and bassist - but they played a top-notch set. According to the lead singer Ciaran, their new album is coming out later this summer or fall in wide distribution (think Best Buy). I wish them tons of success, they definitely have the talent and deserve it. For now, I *highly* recommend picking up their last album, The Hearts We Broke On The Way To The Show, and then seeing them play ASAP. Who knows - maybe in a year they'll be on an international tour and we'll all bemoan all the missed opportunities to see them here in the Twin Cities.
The first band was Usonia, who I had never heard of, but they were actually really good! My friend and I decided they were the best opener we've ever heard there (G Biz, anyone?) or, for that matter, anywhere else. Definitely above average, smart, and well put together music and lyrics - some of their songs were really catchy with great riffs and beats. Their sound was vaguely retro, with keyboards and clapping (which I loved of course), and the band members must all be very talented since they traded instruments throughout the set. According to Ross, the lead singer, their name "Usonia" is the term for Frank Lloyd Wright's vision of post-WWII America. I told you these guys were smart. Bottom line is: go see these guys play. Hopefully they'll have a lot of shows in the near future.
Next up was Arms Akimbo, who I saw open for the Alarmists at 7th St Entry, and as expected, they had a great set. I won't repeat myself too much, but if you like a solid performance with a hint of reggae/mod/doo-wop/early Beatles, go see these guys play. You won't regret it. If you do, don't blame me.
Next was Two Harbors. All I can say is "adequate" and "generic." Melody and rhythm which were pleasant and worked but unexciting and uninspiring. My friend dubbed them "Puddle of Bieber," which I think is actually a little harsh, but too funny not to include. I wouldn't avoid a show if they were on the list - unlike that monstrosity referred to as "Red Pens" - but I wouldn't seek them out either.
Finally, the Idle Hands were up last. As always, it was a 20 orgasm, A+++ show. I couldn't help but notice a couple changes in the band roster since the last time I saw them (Mears Park?) - different drummer and bassist - but they played a top-notch set. According to the lead singer Ciaran, their new album is coming out later this summer or fall in wide distribution (think Best Buy). I wish them tons of success, they definitely have the talent and deserve it. For now, I *highly* recommend picking up their last album, The Hearts We Broke On The Way To The Show, and then seeing them play ASAP. Who knows - maybe in a year they'll be on an international tour and we'll all bemoan all the missed opportunities to see them here in the Twin Cities.
Friday, March 19, 2010
The Big Pink @ First Ave
Yes, I realize it's been a while since I last posted on a show. What can I say? Winter beat me into some kind of lazy submission. But Spring has finally come, and brings with it concerts anew! So I went to First Avenue last night to check out The Big Pink, which I couldn't get into when they came to the Entry. Sidenote: Big ups to Emi for hooking us up so sweet!!
The opening band, A Place to Bury Strangers, came on with a fog machine and light show. Their music seemed like a mix of The Editors (vocals) and Black Rebel Motorcycle Club (music). Their music wasn't bad, but they had this irritating addiction to feedback, and used it to both begin and end every song. Literally - every song. Not necessary. Save me the noise cause I don't need it. The really strange thing about their show was that it was nearly impossible to see the band members performing, because they had an annoying light show going on, which precluded them from having any lights actually on them. I always thought the idea of going to see a band play was to, well, SEE THE BAND PLAY. Every once in a while we got a bright enough flash from their light show (kind of '80s now that I think about it) to see something on stage, and when that happened, I got to see how amazing their drummer was. His hands are crazy fast and that man knows how to rock a set of drums! He was definitely the highlight of the band. My friend described the light show and feedback squeals as the soundtrack to a "fucked up alien invasion" that could only mean "anal probes" were eminent. Yikes...
Now onto the Big Pink. I was so happy to see they were coming back after their last show sold out, and the singer gave Minneapolis some props for being a great city to come to. Naturally, as so many people in this town seem to have excellent taste in music (I am case in point of course). I'm not even sure how to describe the show, since for most of it I was having some kind of music-induced out of body experience. Of course, they saved "Dominos" for the last song, during which I think I actually reached a state of ecstasy. I transcended the physical reality of attending a show at First Ave and became one with the music. It was amazing. The surprise Smashing Pumpkins cover in the middle of the set was also a near-spiritual experience. If you get the chance to see this band, GO. Or at least check out their album, A Brief History of Love. As one major corporation would tell you, you're worth it.
The opening band, A Place to Bury Strangers, came on with a fog machine and light show. Their music seemed like a mix of The Editors (vocals) and Black Rebel Motorcycle Club (music). Their music wasn't bad, but they had this irritating addiction to feedback, and used it to both begin and end every song. Literally - every song. Not necessary. Save me the noise cause I don't need it. The really strange thing about their show was that it was nearly impossible to see the band members performing, because they had an annoying light show going on, which precluded them from having any lights actually on them. I always thought the idea of going to see a band play was to, well, SEE THE BAND PLAY. Every once in a while we got a bright enough flash from their light show (kind of '80s now that I think about it) to see something on stage, and when that happened, I got to see how amazing their drummer was. His hands are crazy fast and that man knows how to rock a set of drums! He was definitely the highlight of the band. My friend described the light show and feedback squeals as the soundtrack to a "fucked up alien invasion" that could only mean "anal probes" were eminent. Yikes...
Now onto the Big Pink. I was so happy to see they were coming back after their last show sold out, and the singer gave Minneapolis some props for being a great city to come to. Naturally, as so many people in this town seem to have excellent taste in music (I am case in point of course). I'm not even sure how to describe the show, since for most of it I was having some kind of music-induced out of body experience. Of course, they saved "Dominos" for the last song, during which I think I actually reached a state of ecstasy. I transcended the physical reality of attending a show at First Ave and became one with the music. It was amazing. The surprise Smashing Pumpkins cover in the middle of the set was also a near-spiritual experience. If you get the chance to see this band, GO. Or at least check out their album, A Brief History of Love. As one major corporation would tell you, you're worth it.
Tuesday, December 22, 2009
Turf Club 12/19
So a friend and I headed to the show at Turf Club last Saturday, mainly because I'm a freak for the Goondas and can't live without their music in my life. The lineup for this show was Hastings 3000, the Goondas, Red Pens, and First Communion After Party. I would like to point out that the Turf Club's own website contradicted itself on how much the cover charge was. One page said $5, another said $6. Whatever.
We got there partway into Hasting 3000's set, and we were both sad to have not been there for the entire thing. I learned that H3k is 1/2 of the Fuck Knights, and judging by how extremely good this guy was, I can only assume that the FK are totally awesome too. Yes, it was one guy on stage, playing guitar, playing drums (including tambourine), and singing. Talk about multi-talented!! His music was original and well-composed, with a hint of social awareness in the mix. I would definitely recommend seeing Hastings 3000 if you get the chance!
Next up, of course, were the Goondas. If you've read my original post on them when they played @ 501 Club, you already know how panty-wettening (is that a word?) their music is. When these guys make it big, I'll happily tell anyone who will listen how I was a prophet of their greatness. But I'd like to give a shout out to the drummer for a minute. He is so much fun to listen to and watch - the man knows how to beat some drums, and inevitably ends up only partially dressed. He could be at the front of the stage if you ask me. In case you still haven't gotten the message, GO SEE THE GOONDAS. THEY ARE AWESOME.
Following that act (which put them at a disadvantage right away) were the Red Pens. They are made up of a chick on drums and a dude playing a selection of guitars, one of which was brown. Here's the deal: I didn't like them. At all. The guitarist seemed like a Doug Martsch wannabe, except without the musical genius to back it up. The drummer knew about 2 beats and was incredibly boring. Plus, it totally sounded like they ripped off the Sex Pistols twice!! I know I heard the chorus from Anarchy in the U.K. during one of their songs, and was duly unimpressed. I got really pissed off when I realized that their new CD was listed in the City Pages as one of the best albums of 2009. What? Are you serious? Yes, City Pages, I'm calling you out on some bullshit. I can only hope that on their recording, they sound better and more original and more talented than they do live. I HIGHLY doubt it though. Don't spend any of your money on the Red Pens unless you're into aural masochism.
The sad thing about all of this is that we didn't stay for FCAP. Yes, the Red Pens drove us out before the headliners came on. The Red Pens should have opened for everyone else!! So that I would have missed them. Oh well. I still haven't seen FCAP so I'll save that review for another day.
We got there partway into Hasting 3000's set, and we were both sad to have not been there for the entire thing. I learned that H3k is 1/2 of the Fuck Knights, and judging by how extremely good this guy was, I can only assume that the FK are totally awesome too. Yes, it was one guy on stage, playing guitar, playing drums (including tambourine), and singing. Talk about multi-talented!! His music was original and well-composed, with a hint of social awareness in the mix. I would definitely recommend seeing Hastings 3000 if you get the chance!
Next up, of course, were the Goondas. If you've read my original post on them when they played @ 501 Club, you already know how panty-wettening (is that a word?) their music is. When these guys make it big, I'll happily tell anyone who will listen how I was a prophet of their greatness. But I'd like to give a shout out to the drummer for a minute. He is so much fun to listen to and watch - the man knows how to beat some drums, and inevitably ends up only partially dressed. He could be at the front of the stage if you ask me. In case you still haven't gotten the message, GO SEE THE GOONDAS. THEY ARE AWESOME.
Following that act (which put them at a disadvantage right away) were the Red Pens. They are made up of a chick on drums and a dude playing a selection of guitars, one of which was brown. Here's the deal: I didn't like them. At all. The guitarist seemed like a Doug Martsch wannabe, except without the musical genius to back it up. The drummer knew about 2 beats and was incredibly boring. Plus, it totally sounded like they ripped off the Sex Pistols twice!! I know I heard the chorus from Anarchy in the U.K. during one of their songs, and was duly unimpressed. I got really pissed off when I realized that their new CD was listed in the City Pages as one of the best albums of 2009. What? Are you serious? Yes, City Pages, I'm calling you out on some bullshit. I can only hope that on their recording, they sound better and more original and more talented than they do live. I HIGHLY doubt it though. Don't spend any of your money on the Red Pens unless you're into aural masochism.
The sad thing about all of this is that we didn't stay for FCAP. Yes, the Red Pens drove us out before the headliners came on. The Red Pens should have opened for everyone else!! So that I would have missed them. Oh well. I still haven't seen FCAP so I'll save that review for another day.
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